He defined a legacy of folks scrounging to connect the dots on what it could mean, even more so than any Aeshole could imagine, and I’m sure Aesop Rock himself was left scratching his head. This myth provided so many prolific minutes of rapping his ass off, with the majority of the time spitting lines in which no one knows what the fuck he’s talking about he stayed cryptic, even in his death.
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How could something that carries such a light tone provide such an outline on how to stay dirty? Also the meta commentary on how telling this track is for DOOM’s entire existence could fill a college thesis. “Rapp Snitch Knishes” is still referenced to this day when rappers start telling all their business. He does whatever the fuck he wants, and we just have to deal with it. Not sure as to why I’d be curious to understand why Madlib and DOOM decided to leave it off that classic of an album, only for it to be a shining star on this one. It’s the wildest shit to me that “One Beer” didn’t make the cut for Madvillainy. Obviously the two main standouts are “One Beer” and “Rapp Snitch Knishes”. “Poo-Putt Platter” is such a jaunt of a beat that is so crispy, it’s hard not to think of food with how goddamn delicious it comes off. When you think about indie rap from that era, it’s hard not to remember his sound, and it’s easy to point to the influence and grip he had on the zeitgeist of the time and identifying the unique approach.
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Always weaving in samples of old TV shows, theme songs, and sound effects against some snappiest of snares on a bassless loop. One of the best parts of Mm.Food is the spotlight on DOOM’s production skills. DOOM was and is a master that cannot be contested. Not sure how else one could dominate so much of the musical landscape that year. It’s also worth mentioning this came after Madvillian, by just 8 months. Few rappers can do that, and yet DOOM always utilized his time doing the best he could. There’s so much that’s just fucking good, and not one second is wasted on this album. This album is always hotly contested in DOOM fan groups as being the top of the top of his catalog for good reason. He was one of the best to ever grab a mic, and no one has ever dared replicate his style. Who else could dedicate 48 minutes of sheer brute capability rapping about shit you’d find at a picnic, but cross reference it to a sociopolitical existence? DOOM is and always will be one of the greats, not sure how else to put it. He was one of the mighty four ( El-P, Aesop Rock, Atmosphere, and DOOM) that introduced me to indie rap, an obsession that has stayed with me ever since the early 2000s to this day. My introduction was not Mm.Food, but his debut OPERATION: Doomsday. The myth has been a staple in rap‘s upper echelon for decades, always the world class supervillain, and staying on top of the list of your favorite rapper’s favorite rapper lists. It’s really hard to pin down one element of DOOM to start with.
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